Letter from the Editor
Anthony Yarbrough
Anthony Yarbrough
By Ciara Alfaro
By Katharine Beebe
By Craig Foster
By Terri Lewis
By Elizabeth Cohen
By Bob Hicok
By Katey Linskey
By Michael Vargas
By Tolu Daniel
By Guarina Lopez
By Kristi D. Osorio
By Allen M. Price
Ciara Alfaro is a Chicana writer, romantic, and descendant of magicians from Lubbock, Texas. Her work has appeared or is forthcoming in Passages North, Mid-American Review, Water~Stone Review, Swamp Pink, Best American Essays, and more. She holds an MFA in creative nonfiction from the University of Minnesota and a BA in English from Colgate University. She lives in Minneapolis.
In the past, Katharine Beebe’s outdoor column appeared in the Albuquerque Journal, along with articles in Mirage, New Mexico Wildlife, New Mexico Business Journal, and other magazines and newspapers; her fiction has appeared in The Pinon Review and Permafrost. Past awards include the D. H. Lawrence Award in Short Fiction (winner) and the Lena Todd Award in Short Fiction (finalist). More recently, her fiction appeared in the 2016 Santa Fe Literary Review. She has an MFA from Vermont College of Fine Arts and lives in the central mountains of New Mexico.
Elizabeth Cohen is a mama, dog mama, memoir coach, and writer who lives in Albuquerque, NM. She holds an MFA from Columbia University, is the author of the poetry books Bird Light and The Patron Saint of Cauliflower, and the chapbooks Wonder Electric and Martini Tattoo, among other works.
Tolu Daniel is a writer and editor. His essays and short stories have appeared on Catapult, Olongo Africa, Lolwe and a few other places.
Craig M. Foster’s writing has appeared in Jabberwock Review, J Journal, and The MacGuffin. He was the recipient of the 2021 Nancy D. Hargrove Editors’ Prize for Fiction and his work has been nominated for the Pushcart Prize.
Bob Hicok is the author of Water Look Away (Copper Canyon Press, 2023). He has received a Guggenheim and two NEA Fellowships, the Bobbitt Prize from the Library of Congress, nine Pushcart Prizes, and was twice a finalist for the National Book Critics Circle Award. His poems have appeared in nine volumes of the Best American Poetry.
Terri Lewis has been accepted to the Sewanee Writers’ Conference and into juried workshops with Rebecca Makkai, Laura Van Den Berg, and Jill McCorkle. She was a finalist for The Jeffrey E. Smith Editors Prize (Nonfiction) and shortlisted for LitMag’s Virginia Woolf Award for Short Fiction. She has been published in Embark, Hippocampus, Denver Quarterly, and Chicago Quarterly Review among others. Her reviews for The Washington Independent Review of Books have been excerpted in LitHub.
Katey Linskey is a writer with poetry out and forthcoming in The West Review, Emerson Review, The McNeese Review, Contemporary Verse 2, Cobra Milk and elsewhere. She spent eight years working in public health which continues to inform her work as a writer.
Guarina Lopez is from the Pascua Yaqui Tribe and grew up the Southwest and San Francisco. She currently resides on Piscataway territory in Washington, D.C. Guarina is a visual artist, storyteller, athlete, mother, and founder of Native Women Ride & The Indigenous Cycling Collective. Guarina’s work explores the intersections of Indigeneity, Environment, Politics and Culture. She is the co-director of Running is Prayer and the recently released Carlisle 200, a short documentary that shares the history of Indian Boarding Schools. Guarina’s writing has been published in magazines, poetry reviews, museum journals and zines. She is currently working on a book of short stories based on her life as an Indigenous woman living in the “white man’s world”.
Kristi D. Osorio is a writer and editor living in Arizona. She is the winner of the 2023 Indiana Review Creative Nonfiction Prize and the 2023 Sonora Review Mercy Contest in Nonfiction. She is at work on a memoir that blends cultural criticism around violence in popular culture and her personal story as the survivor of a violent crime. She enjoys running, watching baseball, and spending time in nature.
Allen M. Price won Solstice Literary Magazine’s 2023 Michael Steinberg Nonfiction Prize (chosen by Grace Talusan), and a finalist in Black Warrior Review’s 2023 Nonfiction Contest. He won Blue Earth Review’s 2022 Dog Daze Flash Creative Nonfiction Contest and Columbia Journal’s 2021 Nonfiction Winter Contest (chosen by Pamela Sneed). A 2024, 2023 and 2022 Pushcart Prize nominee, his work appears or forthcoming in Five Points, december, Cutthroat, Forge Literary Magazine, African Voices, Zone 3, Post Road, Sweet, North American Review, The Masters Review, Terrain.org, Shenandoah, Hobart, Transition, Vol. 1 Brooklyn, River Teeth, The Coachella Review, Pangyrus, and others. He has an MA from Emerson College.
Michael Vargas is a queer chicano from Southern California. He comes from a family of field laborers, mechanics, and other blue collar workers. He is a first generation college student, holding a BA degree in English and anthropology. He currently works as a Letter Carrier for the US Postal Service. His work has been published in The Fairy Tale Review and Ink & Voices.
JC Alfier’s (they/them) most recent book of poetry, The Shadow Field, was published by Louisiana Literature Press (2020). Journal credits include The Emerson Review, Faultline, New York Quarterly, Notre Dame Review, Penn Review, Southern Poetry Review, and Vassar Review. They are also an artist doing collage and double-exposure work.
Over 40+ years as a successful award-winning commercial photographer, Jeff Corwin has taken photos out of a helicopter, in jungles, on oil rigs and an aircraft carrier. Assignments included portraits of famous faces and photos for well-known corporate clients. Corwin has turned his discerning eye to fine art photography. He still creates photographs grounded in design. Humble shapes, evocative lines. Eliminate clutter. Light when necessary. Repeat. His fine art photography has garnered awards, national and international museum exhibitions, gallery shows, work in permanent collections, features in numerous fine art publications, radio and newspaper interviews and representation by several contemporary galleries.
Santa Fe artist Kathleen Frank travels throughout the Southwest/West, seeking landscape paintings vistas. Using vibrant hues, she captures light, pattern and a glint of logic in complex terrains. Exhibitions include Northwest Montana History Museum; UNM Valencia; International Art Museum of America; MonDak Heritage Center| Art & History Museum; St. George Museum of Art; WaterWorks Museum; Sahara West Gallery; La Posada de Santa Fe; Roux & Cyr Fine Art Gallery; and Jane Hamilton Fine Art. Press includes LandEscape Art Review, MVIBE, Art Reveal, Magazine 43 and Southwest Art. Art in Embassies/U.S. State Department selected her work for Kuala Lumpur, Malaysia.
Hiokit Lao is a 29-year-old self-taught artist from NYC. Through surreal, abstract, and vibrant pieces, she aims to create meaningful art that instills hope and positivity.Her art is a kaleidoscope of surrealism and abstract expression, a vibrant fusion echoing the various cultures that have shaped her worldview. Inspired by her diverse upbringing and a deep fascination with the world, her work resonates with the colors, traditions, and social causes around the globe. Each piece is a homage to cultural diversity, intertwining social narratives and her own artistic vision. Employing different techniques, she creates pieces that offer dual perspectives, presenting dichotomous yet harmonious narratives based on the viewer’s orientation. When the canvas is inverted, a different narrative surfaces — a testament to the multifaceted nature of culture and perception.
My name is Amuri Morris and I’m an artist based in Richmond, Va. I recently graduated from painting/ printmaking and business at Virginia Commonwealth University. Throughout the years I have acquired several artistic accolades such as a VMFA Fellowship. I aim to promote diversity in art canon, specifically focusing on the black experience.
Claudia Santos (@claudiaexcaret) is a Mexican English Major, poet, photographer, and cultural gestor. Her photographs have been published in Azahares Literary Magazine and L’Esprit Literary Review.
Editor-In-Chief
Anthony Yarbrough is a writer from Los Angeles and a third-year MFA student at the University of New Mexico. His fiction and nonfiction explore memory, sexuality, substance abuse, introspection, weather and cottagecore. He’s excited to rejoin the Blue Mesa Review team as its Editor-In-Chief.
Managing Editor
Gwyneth Henke (she/her) is a second-year MFA candidate in fiction at UNM. She graduated with a degree in religious studies at Washington University in St. Louis and worked in interfaith relations before joining the MFA. Her fiction explores conversion, doubt, faith, ritual, and desire. She loves to read Haruki Murakami, Michael Ondaatje, Elena Ferrante, Mieko Kawakami, and Zadie Smith.
Associate Editor
Kyndall Benning is a writer from Edmond, Oklahoma. She is a third year MFA candidate in Nonfiction at the University of New Mexico. Her essays focus mainly on complex relationships, especially familial, in addition to topics on class and place. In addition to nonfiction, she likes working in fiction and poetry. When she isn’t writing, she likes spending time with her loved ones, including her cat, Feathers. She also enjoys oil painting and scuba diving when she has time.
Poetry Editor
Amy Dotson is a writer from all over Kentucky. She is a second-year MFA student working on fiction, but she also writes creative nonfiction and poetry. Her work tends to deal with class, places affected by political neglect, and the strangeness of the quotidian. Like many twenty-somethings, she has recently gotten really into rock climbing.
Creative Nonfiction Editor
Kani Aniegboka is an MFA student at the University of New Mexico, a TinHouse summer camp participant and is currently working on his first memoir. A few years ago, he engaged in both occupational and geographical changes that he’s yet to recover from, but which have left him viewing the world with infant-like fascination once again. Kani enjoys reading culturally rich stories that question normativity.
Fiction Editor
Joe Byrne was born in Colorado Springs but grew up in New Mexico. He is a second year MFA student at UNM and the incoming fiction editor for BMR. When he’s not reading or writing, he enjoys launching projectiles and listening to death metal.
Faculty Advisor
Marisa P. Clark (she/her) grew up on the Mississippi Gulf Coast, came out in Atlanta, Georgia, and relocated to beautiful New Mexico in 1998. She holds a PhD in fiction-writing from Georgia State University and an MA in American literature and a BS in psychology from the University of Southern Mississippi. Now in her 24th year of working at UNM, she has taught all genres of undergraduate creative writing, queer texts and other literature courses, first- and second-year composition courses, and ESL, along with taking on various roles with Blue Mesa Review.
Her prose and poetry appear in numerous print and online journals. Best American Essays 2011 recognized her creative nonfiction among its Notable Essays, and she serves as a senior fiction reader for New England Review. She has also worked as a librarian at the Centers for Disease Control, a copy designer and proofreader in graphics and advertising, a bookshop clerk, and a clerical assistant at a law office.
Jeanette DeDios
Julie Peterman
Rebecca “RJ” Smith
Mia Casas
Shona Casey
Evan D. Chilton-Garcia
Bruce Chrisp
Alexandra Dark
Robert “Wes” Dyer
Carter Gage
Katrina Gilbert
Jordan Lenz
Emilia Madrid
Sophia Puglia-Henry
Savina Romero